KOHN MUSIC STORE
www.kohnmusicstore.com

Store Search and Shop
click here or on the shopping cart


      X

Amplifiers-Guitar, Bass, Keyboard
Band Instruments
Cases
DJ and Lighting Gear
Educator Resources
Guitars and Basses

Keyboards
Kevin Kohn Disc Jockey
Marching Band Shoes and Gloves
Percussion
Print Music (Books and Sheet Music)

Recording
Software
Sound Reinforcement
Stringed instruments and accessories
Order Form

Repair Form

        
CONTACT US
KOHN MUSIC STORE

54 S. Elk
Sandusky, MI  48471-0167
Telephone (810) 648-2095

Toll Free (866) 406-4666
www.kohnmusicstore.com
Email: Kohn.Music@att.net

Paypal6months

EDUCATIONAL RESOURCES


INSTRUMENTAL FINGERING CHARTS


WOODWIND RESOURCES
FLUTES
Upgrading to an open hole intermediate or professioinal flute


Videos

 




OBOES AND BASSOONS

CLARINETS



SAXOPHONES




BRASS RESOURCES

Teacher's Guide

This manual includes only the information most pertinent to the techniques of teaching and playing musical instruments. Additional explanation from the instructor or reading by the student is highly recommended.

Brass Teacher's Guide

 

Free Downloads for Cornet
Cornet Warm Ups

Free Downloads for Trumpet
The Art of Trumpet Playing


Free Downloads for French Horn

Free Downloads for Mellophone

Free Downloads for Trombone
Pedagogy Manual for Trombone



GENERAL CLASSROOM RESOURCES
Concert Band Warmups
Efficient Rehearsal Procedures

Free Downloads for Tuba

   

Other Downloads

Getting the most out of mutes
Historial Bach Catalog

Know your Brasses

 

PERCUSSION RESOURCES
Accurate Reading On Mallet Keyboard Instruments by Al Payson
To attain any kind of note accuracy on a mallet-keyboard instrument “eyeball” the bars. This is not a problem when the music is memorized. But it is a problem when playing from a printed part.

Balancing a Timpani Head by Al Payson
Or: How to turn an ogre into a handsome prince

Blazing a Trail by Donald DeRoche
The path that leads from drummer to percussionist and on to musician is a vital one

Dampening Drills by Jerry Tachoir
Teach students early that a vibraphone is not just a marimba with a pedal

Equipped for Success by Jim Catalano
Turning beginning drummers into total percussionists starts with the right kit

Percussion Crossroads by Al Payson
Hooray! I've completed an elementary snare drum course. So, what's next?

Percussion Pointers by George Frock
How to help your young timpanists achieve greater musical maturity

Timpani Care & Tuning
Care and Tuning of Your Timpani Drum

Care and Tuning of your Ludwig Snare
The snare drum is the most important part of your drum outfit next to the bass drum pedal

Care and Tuning of your Ludwig Timpani Drum
Learn how to get the most out of your timpani.

The Vibraphone as a Solo Instrument by Bill Molenhof
Before a student or performer can approach the vibraphone from a player’s technical viewpoint, the preliminary essential of opening your mind and ears as a listener must become a concentrated effort

Clarity in Executing Lines on the Vibraphone Through the Use of Dampening by Jerry Tachoir
A vibraphone is not a marimba with a pedal!

Chords and Voicing for Jazz Vibes in 10 Steps by Jon Metzger
Today's jazz vibes player enjoys many roles

Timpani Improving Tone Quality and Musicianship by George Frock
It is very important that the timpanist be aware of the correct playing range of each drum

Timpani Techniques by Al Payson
Clean, precise, silent muffling is an absolute necessity for polished performance.

The Art of Transcribing by Steve Fidyk
Transcribing can improve your reading, dictation skills, and help stimulate creativity

Too Many Rudiments? by Cary Nasatir
While there are 40 rudiments endorsed by the Percussive Arts Society, there are nine that are mostly found in concert band and orchestra literature.

That (Discouraging?) First Snare Drum Lesson by Al Payson
Teaching Techniques for beginners

The Triangle by Cary Nasatir
Taking a look at an instrument that doesn’t get the respect it deserves...the triangle

Rehearsal Techniques: Dynamics and Balance by James Neilson
Ways to clarify routine rehearsal procedures in your classroom.

Teaching Drum Set by Steve Fidyk
Drum set, if used effectively, can prove to be one of the most musical instruments in your school program.

Left Hand Development by Denny Hair
The need for left hand development comes from the unevenness of the hands when drumming.

Timpani Tuning: Developing Aural Acuity by Al Payson 
There are two aspects of learning to tune timpani.

How to Choose a Good Set of Cymbals by Gene Markiewicz
This article will focus on the actual cymbals and what I recommend to choose good sounding drum set cymbals


PERCUSSION RESOURCES FROM PEARL DRUMS

Advanced Mallet Technique
By Robert Van Sice
The title of this pamphlet is a bit of a misnomer. Percussionists tend to focus on technical development as an important goal in itself. There are great resources available concerning almost every skill related to the act of playing a percussion instrument, and today’s percussionist is technically far superior to his predecessors.

Basic Beats
by Steve Houghton
The following is a collection of basic drumset beats that cover the three main areas of popular music, jazz, rock, and Latin. There are several things to remember when practicing these or any grooves for that matter.

Basic Snare Drum Tuning
by Tom Freer
Please follow these simple and basic instructions for tuning and adjusting your Pearl snare drum. In order for you to get and maintain the best possible sound out of your instrument, it will be important to save this sheet so that you can "tune up" the drum as the heads become broken in, and replace heads when necessary.

Basics of Latin Percussion
by Lalo Davila
With Latin Percussion becoming increasingly popular in various idioms, so has the interest in learning how to perform these instruments. Although these instruments are classified as "Latin Percussion" their applications are endless. Their uses are applied to such styles as Rock, Jazz, Pop, Salsa, etc.

Basic Snare Drum Technique
By Thom Hannum
There are a number of effective methods for learning basic snare drum technique. So be open to suggestions and seek a teacher to help guide you through the fundamentals. Below are some guidelines to get you started. Have fun!

What's Wrong
by Julie Davila
An extreme makeover for your percussion section.

The Blues Vocabulary
by John Mark Piper
The following lesson introduces improvisation to students in a blues style.

Building Your Vocabulary
by Thom Hannum
Music is our universal language, and building a vocabulary to communicate our ideas is an essential step for all musicians. Included in this article are some fundamental elements of percussion we all use as players and writers.

Concert Snare Drum, Toms and Bass Drum-Tuning and Adjustment
By Tom Freer
Concert percussion instruments should be approached with a much different point of view than those of the Drum Corp. It is important to adjust and tune your concert equipment with this in mind due to the completely different acoustic and dynamic demands made on them. In general, your “concert” percussion instruments will have a much wider dynamic range demanded of them, and must be tuned accordingly so that the listener and player can accurately produce the full sonic spectrum that these instruments are capable of. Symphonic band music and orchestral music requires percussion instruments that can provide the extremes of subtlety, finesse and power, and it is with these goals in mind that we would like to offer these tips on tuning these instruments so that you can utilize their full potential.

The Importance of Proper Warm-up: Daily Warm-ups and Technical Exercises for Marimba
By Andy Harnsberger
Avoiding Injury by Warming Up - If you are anything like the average person, you are constantly faced with time constraints. Because of this, our practice sessions often turn into “note cramming sessions”, where we try to learn as many notes as possible in a short amount of time, or play through our recital pieces up to tempo several times within that short period. Not only is this detrimental to the hands, but it can also be harmful to the overall performance in recital situations.

Drum Tuning
by Gene Okamoto, Pearl Corporation
Tuning: No Right or Wrong When it comes to tuning drums, there's no right or wrong. If you take 10 drummers and ask them how they tune their drums, you'll get 10 different answers. For someone starting out, this can be confusing and contradictory. So to make things easier (ha, after you see all the verbiage below you'll say, "If he thinks this is easy, he's nuts!"), I will attempt to describe how I tune drums. Don't laugh.

General Care and Maintenance
To insure the longevity and performance of your Pearl purchase, we recommend that all products be cleaned, lubricated, and inspected periodically for signs of wear. If needed, perform all necessary repairs and replace any missing parts to prevent damages from occurring.

How To Replace and Adjust Snares
by Gene Okamoto
1) Thread the cord through the holes of the snares and wrap them around the bolts of the butt as shown in the photo below.

Jazz Drumming
By Steve Houghton
Often times, young drummers think that learning a jazz beat will enable them to play jazz. To develop a concept for any style of music, one must go far beyond learning a few beats or patterns. I feel that drumming, in any style, is 50% concept and 50% technique. Many drummers seem to have very good technical skills, while acquiring very little conceptual knowledge of the style of music they are attempting to play.

Modern Multi-Tenor Techniques
by Julie Davila
The art of tenor playing has changed drastically over the last ten years. Although there are many great tenor players, there are not a lot of publications available to learn and practice the skills needed to acquire knowledge of tenor technique. The following exercises are intended to familiarize players with some basic concepts and techniques used when playing tenors. Part One utilizes some fundamental exercises aimed at developing dexterity, motion and flow. Part Two contains exercises that incorporate beginning scrapes and crossovers.

My Favorite Rudiment
by Dr. John Wooton
I have always had a special in my hearts for ratamacues. They are fun to play and fun to manipulate. When all my friends were trying to see how many flams they could play within an eight bar phrase I always preferred the smoothness and speed of drag rudiments, especially "ratamacues." There are single ratamacues, double ratamacues, and triple ratamacues. I love them all. Ratamacues got their name by way of onomatopoeia. By the way the rudiment sounds.

Refining Your Timpani Roll
by Tom Freer
Following are some techniques and calisthenics for refining one's timpani roll. This is one of a timpanist's most frequently used techniques, yet it seems to get minimal attention in practice and development.

Self-Motivation: Finding Your Focus
By Andy Harnsberger
Let’s face it: By now, music has seeped its way into your everyday existence. The choices you make in almost everything are based upon it: When you practice, what you listen to, even what you read in your spare time. You obviously wouldn’t have your nose buried in this magazine if you hadn’t decided that you want to improve some aspect of your playing. Bottom line: It is an obsession. Yet somehow, even at this point, many serious musicians still manage to lose momentum.

Timpani Tuning
by J.B. Smith
Several issues must be addressed in order for a young percussionist to develop the skills needed to play the timpani: technical facility, tone production, instrument care and tuning. Of these, tuning is often the most difficult to learn. Ear-training should be regular part of a percussionist's study.

The Well-Rounded…Musician?
By Dr. John W. Parks IV
Many recent articles and web postings have been devoted to the concepts of well-roundedness in today’s percussion world. I’d like to focus on two things that are sometimes overlooked, especially by younger students, in those discussions relative to being well-rounded musicians who happen to be percussionists—one, being (or becoming) open-minded, and two, developing a thirst for overall musical knowledge. The funny thing is that neither of them is specific to percussion…

Gripping the Sticks
by Mark Wessels
-excerpted from “A Fresh Approach to the Snare Drum” Learning how to hold the sticks properly is essential to becoming a successful snare drummer!


 


STRINGED RESOURCES

Free Downloads for Cello

 

Free Downloads for String Bass

 

Free Downloads for Violin

Other Downloads

WOODWIND RESOURCES

Free Downloads for Clarinet

 

Free Downloads for Flute

 

Free Downloads for Oboe

 

Free Downloads for Saxophone

 

Free Downloads for Bassoon

 

Other Downloads

Leblanc Clarinet Method Studies Book 1 (PDF - Adobe Acrobat required to view)
Leblanc Clarinet Method Beginning Volume 2 (PDF - Adobe Acrobat required to view)
Leblanc Bonade Orchestral Studies for Clarinet (PDF - Adobe Acrobat required to view)
Leblanc 16 Phrasing Studies for Clarinet (PDF - Adobe Acrobat required to view)
Leblanc Clarinetists' Compendum (PDF - Adobe Acrobat required to view)

MUSIC EDUCATOR RESOURCES

Free Downloads



PEARL PERCUSSION RESOURCES

Advanced Mallet Technique
By Robert Van Sice
The title of this pamphlet is a bit of a misnomer. Percussionists tend to focus on technical development as an important goal in itself. There are great resources available concerning almost every skill related to the act of playing a percussion instrument, and today’s percussionist is technically far superior to his predecessors.

Basic Beats
by Steve Houghton
The following is a collection of basic drumset beats that cover the three main areas of popular music, jazz, rock, and Latin. There are several things to remember when practicing these or any grooves for that matter.

Basic Snare Drum Tuning
by Tom Freer
Please follow these simple and basic instructions for tuning and adjusting your Pearl snare drum. In order for you to get and maintain the best possible sound out of your instrument, it will be important to save this sheet so that you can "tune up" the drum as the heads become broken in, and replace heads when necessary.


Basics of Latin Percussion

by Lalo Davila
With Latin Percussion becoming increasingly popular in various idioms, so has the interest in learning how to perform these instruments. Although these instruments are classified as "Latin Percussion" their applications are endless. Their uses are applied to such styles as Rock, Jazz, Pop, Salsa, etc.

Basic Snare Drum Technique

By Thom Hannum
There are a number of effective methods for learning basic snare drum technique. So be open to suggestions and seek a teacher to help guide you through the fundamentals. Below are some guidelines to get you started. Have fun!

What's Wrong

by Julie Davila
An extreme makeover for your percussion section.

The Blues Vocabulary

by John Mark Piper
The following lesson introduces improvisation to students in a blues style.

Building Your Vocabulary

by Thom Hannum
Music is our universal language, and building a vocabulary to communicate our ideas is an essential step for all musicians. Included in this article are some fundamental elements of percussion we all use as players and writers.

Concert Snare Drum, Toms and Bass Drum-Tuning and Adjustment

By Tom Freer
Concert percussion instruments should be approached with a much different point of view than those of the Drum Corp. It is important to adjust and tune your concert equipment with this in mind due to the completely different acoustic and dynamic demands made on them. In general, your “concert” percussion instruments will have a much wider dynamic range demanded of them, and must be tuned accordingly so that the listener and player can accurately produce the full sonic spectrum that these instruments are capable of. Symphonic band music and orchestral music requires percussion instruments that can provide the extremes of subtlety, finesse and power, and it is with these goals in mind that we would like to offer these tips on tuning these instruments so that you can utilize their full potential.

The Importance of Proper Warm-up: Daily Warm-ups and Technical Exercises for Marimba

By Andy Harnsberger
Avoiding Injury by Warming Up - If you are anything like the average person, you are constantly faced with time constraints. Because of this, our practice sessions often turn into “note cramming sessions”, where we try to learn as many notes as possible in a short amount of time, or play through our recital pieces up to tempo several times within that short period. Not only is this detrimental to the hands, but it can also be harmful to the overall performance in recital situations.

Drum Tuning

by Gene Okamoto, Pearl Corporation
Tuning: No Right or Wrong When it comes to tuning drums, there's no right or wrong. If you take 10 drummers and ask them how they tune their drums, you'll get 10 different answers. For someone starting out, this can be confusing and contradictory. So to make things easier (ha, after you see all the verbiage below you'll say, "If he thinks this is easy, he's nuts!"), I will attempt to describe how I tune drums. Don't laugh.

General Care and Maintenance


To insure the longevity and performance of your Pearl purchase, we recommend that all products be cleaned, lubricated, and inspected periodically for signs of wear. If needed, perform all necessary repairs and replace any missing parts to prevent damages from occurring.

How To Replace and Adjust Snares

by Gene Okamoto
1) Thread the cord through the holes of the snares and wrap them around the bolts of the butt as shown in the photo below.

Jazz Drumming

By Steve Houghton
Often times, young drummers think that learning a jazz beat will enable them to play jazz. To develop a concept for any style of music, one must go far beyond learning a few beats or patterns. I feel that drumming, in any style, is 50% concept and 50% technique. Many drummers seem to have very good technical skills, while acquiring very little conceptual knowledge of the style of music they are attempting to play.

Modern Multi-Tenor Techniques

by Julie Davila
The art of tenor playing has changed drastically over the last ten years. Although there are many great tenor players, there are not a lot of publications available to learn and practice the skills needed to acquire knowledge of tenor technique. The following exercises are intended to familiarize players with some basic concepts and techniques used when playing tenors. Part One utilizes some fundamental exercises aimed at developing dexterity, motion and flow. Part Two contains exercises that incorporate beginning scrapes and crossovers.

My Favorite Rudiment

by Dr. John Wooton
I have always had a special in my hearts for ratamacues. They are fun to play and fun to manipulate. When all my friends were trying to see how many flams they could play within an eight bar phrase I always preferred the smoothness and speed of drag rudiments, especially "ratamacues." There are single ratamacues, double ratamacues, and triple ratamacues. I love them all. Ratamacues got their name by way of onomatopoeia. By the way the rudiment sounds.

Refining Your Timpani Roll

by Tom Freer
Following are some techniques and calisthenics for refining one's timpani roll. This is one of a timpanist's most frequently used techniques, yet it seems to get minimal attention in practice and development.

Self-Motivation: Finding Your Focus

By Andy Harnsberger
Let’s face it: By now, music has seeped its way into your everyday existence. The choices you make in almost everything are based upon it: When you practice, what you listen to, even what you read in your spare time. You obviously wouldn’t have your nose buried in this magazine if you hadn’t decided that you want to improve some aspect of your playing. Bottom line: It is an obsession. Yet somehow, even at this point, many serious musicians still manage to lose momentum.

Timpani Tuning

by J.B. Smith
Several issues must be addressed in order for a young percussionist to develop the skills needed to play the timpani: technical facility, tone production, instrument care and tuning. Of these, tuning is often the most difficult to learn. Ear-training should be regular part of a percussionist's study.

The Well-Rounded…Musician?

By Dr. John W. Parks IV
Many recent articles and web postings have been devoted to the concepts of well-roundedness in today’s percussion world. I’d like to focus on two things that are sometimes overlooked, especially by younger students, in those discussions relative to being well-rounded musicians who happen to be percussionists—one, being (or becoming) open-minded, and two, developing a thirst for overall musical knowledge. The funny thing is that neither of them is specific to percussion…

Gripping the Sticks

by Mark Wessels
-excerpted from “A Fresh Approach to the Snare Drum” Learning how to hold the sticks properly is essential to becoming a successful snare drummer!

 

 

  • National Organizations
    American Music Conference
    Association Science et Musique
    Music Educators National Conference (MENC)
    Midwest Band and Orchestra Clinic
    Music Teachers National Association
    National Association of Music Merchants (NAMM)
    National Endowment for the Arts
    World Association of Marching Show Bands
    Drum Corps International

    Flute Links

  • National Flute Association: Flute Clubs

    Newsgroups

  • alt.music.makers.woodwind
    rec.music.makers.french-horn
    rec.music.makers.saxophone
    rec.music.makers.trumpet
    rec.music.makers
    rec.music.makers.builders


    Music Education

    All the work of John Philip Sousa
    Ensemble
    Ensemble Lists
    FTP to IRCAM
    FTP List of Works of Classical Composers
    Margot the Singing Wonderdog
    Music Education: How Can You Help?
    Music Education Favorite Home Pages
    Music Education Links from Indiana University
    Hotlist of Internet Music Resources
    The Instrumental Music Resource Page
    Music Education Resource Base
    Music Education Resources
    Music Education Online


    Music Education Newsgroups
    k12.ed.music

    Miscellaneous

    Ryan Burrage's Great Saxophone Links
    Double Reed Archive Index
    Archive maintained by David Zar, a member of the doublereed.l maillist.
    International Double Reed Society

     

  •  

  •